I must confess I found Remi Harris music almost by chance. Zapping through YouTube, I’ve found this amazing version of one of my favorite standards – “There Will Never Be Another You” – where he plays a Carolan Guitar.
He’s musical good taste is exquisite, and his personality is calm and gentle. I hope you’ll enjoy Remi Harris’ insights as much as I liked pulling these interviews together for you 🙂
1 – What has inspired you to start playing music? Tell us about your influences and what was going on around you at the time.
I started playing guitar when I was 7 though I had toy guitars before that. My Dad played and listened to a lot of guitar-based music, so I grew up surrounded by the sights and sounds of guitar playing. My early influences were mainly 60s and 70s guitar-based blues and rock music. Artists like Jimi Hendrix, Led Zeppelin, The Beatles, Eric Clapton, Peter Green, Chuck Berry, and many more.
2 - Como é que um guitarrista britânico como tu, com tantas grandes influências do Rock, começou a tocar Manouche?
To me, the guitar has always been about improvising; that’s what I love about many of the early rock and blues bands that I grew up listening to. They were really jamming and interacting with each other in the moment.
Jazz appealed to me because it’s all about improvisation, freedom, and experimentation. It was a natural progression for me, having just spent my teens playing in rock and blues jam bands.
Manouche was the route that appealed to me the most at the time because of its upbeat, fun-filled nature. I also love the sound of gypsy jazz-type guitars, and they sound best with a Manouche-style rhythm section (rhythm guitar and double bass).
3 - O que é que o motivou a nunca deixar de praticar?
For me, the guitar was (and still is) my favorite toy. Practicing is something I really enjoy doing; I would have given it up years ago if it ever felt like a chore.
Sinto que há sempre algo de novo para aprender e explorar.
4 – What were the biggest challenges you have faced to progress in your practice, performance, and musical career?
The biggest challenge for me in my career, so far, was learning to speak on stage. I’m naturally quite shy, but if you want to lead your own ban,d you have to be able to engage with an audience, talk about the tunes you’re playing, maybe get a few laughs, etc. Public speaking was one of my biggest fears growing up.
5 – What are the main differences and/or similarities you find in Manouche and Rock genres, regarding technique, sound, and feel?
I guess gypsy jazz is a high-energy/up-tempo form of jazz, and you could say rock’n’roll is a high-energy/up-tempo version of the blues, so both genres are naturally uplifting in their nature.
I find the gypsy jazz lineup very versatile. You can play blues, swing, bebop, bossa, funk/hip hop grooves, classical melodies, world music, pop tunes, and even rock tunes in this format, and it works. Nothing really sounds out of place, so for me it gives me a lot of possibilities.
The technique involved in playing gypsy jazz guitars is different from how most people play other guitars, though, and can take some time getting used to it, depending on how you played in the first place. But not everyone uses the gypsy type technique, and it’s not essential. I know great Manouche-style players who don’t play with this technique.
6 - Qual era o seu processo de prática nos primeiros tempos? Mudou ao longo dos anos?
I used to play every day. I didn’t have a specific process. If I liked something, I would try and learn it. That was it. I have a bit more structure to my playing these days, though, as now it’s my profession, I have to take it a bit more seriously.
7 – Tell us about your routines. How does a regular day in your life look like?
On average, I would say I play between 2 and 4 hours a day. This is divided up throughout the day into shorter sessions. I like to play for between 30 minutes and 1 hour before breakfast, then maybe another hour or two after breakfast. Then I go out, exercise, play football, do some admin work, etc., and come back to the guitar later in the day.
8 - Como é que equilibra o trabalho e o descanso? Qual a duração das suas sessões de trabalho e das suas pausas?
My playing sessions can vary, but average at about 30 minutes with breaks in between. It really can depend on what I’m working on, though.
9 – What key ingredients do you love to hear in the music you love?
Gosto de músicos que têm a sua própria abordagem. Prefiro ouvir as pessoas a fazerem as coisas à sua maneira, com as suas próprias reviravoltas únicas.
10 – Do you meditate or perform any similar practice?
I used to meditate, but found my guitar practice and exercise have a similar effect on me as meditation, so I haven’t done it for a while.
11 – What about the best advice, quote, or reference you keep close to you?
Cuide da música e a música cuidará de si.
12 -Qual é o aspeto mais importante do percurso da sua vida que gostaria que as pessoas recordassem?
Gostaria de ser recordado por dar sempre o meu melhor em tudo o que faço.
13 - O que diria ao Django se tivesse a oportunidade de o conhecer?
Não sei o que lhe diria. Provavelmente “Obrigado”.
14 – What would be the record, the musician, or the song that you would always refer to in a conversation about Django?
I don’t know what record I would mention. I know he had a broad taste in music, so I guess we could strike up a conversation about anything. I would like to see his reaction to the System Of A Down, though. I have some friends who have tried some heavy metal-type tunes in this genre. I think it can work. Anything is possible, really.
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